Thursday, May 15, 2014

Emotional Reversal FTW: Advertising Wishes It Were This Good

Nouveau happiness. Unlike nouveau riche—because, damn if it doesn’t all spend the same—it’s just not as good.

A lot of brands want to make us happy, not only with their products, but also with their advertising. P&G honestly made me happy to be a mother with their Thank You, Mom campaign by Wieden + Kennedy. Volkswagen made me not only happy to drive a Jetta but also just happy to be watching their Smiles commercial. Mattel even made me happy to have entered an incorrect URL with their awesome error 404 page.



The poem “By the Front Door,” by W.S. Merwin, is three lines long. It takes less time to read it than to sneeze. Yet, it conveys a kind of deep, ancient happiness that none of this marketing—that no marketing I’ve ever seen—can begin to touch. The poem sets the context and the reason for this happiness so perfectly that, at the end of the last line, after only 16 words, the reader herself is extremely happy.

This emotional connection is made through contrast and empathy, and our own reaction is part of the delight.

The poem starts with a feeling of inertia and sadness: "Rain through the morning." In the second line, "long" brings to mind "longing." Toads, ugly, moist creatures with a (probably unfounded) reputation for spreading warts, are not known for generating warm-fuzzies. And who ever thinks of a toad as a singer?



So by the time we're two-thirds of the way through the poem, a melancholy feeling has seeped in. But in the last line, where "singing" connects to "happiness," there's a reversal. As soon as we understand that the toad is singing because of the rain, because he's in the long pool, we understand. The reader can actually empathize with that toad, can be happy for him. The toad’s delighted to be in this environment, and in its delight it is singing an ancient happiness. Not only are we happy for the toad, but we’re surprised that we’re happy, and that the poem turned out happy. This sense of relief adds to what we ourselves feel.

In three lines, “By the Front Door” puts the reader through a small but real about-face of emotions and leaves us with a smile.

In an ad that could never be aired in the U.S. because we are a culture of whiners, Subaru attempts this same kind of reversal, hoping to leave us relieved and happy. It does work, but it’s heavy-handed. In its heart, this ad wishes it had even half the deep, elegant resonance of Merwin’s poem.

Can any ad? If you can think of one, let me know.







With thanks to The Writer's Almanac, @writersalmanac, for making "By the Front Door" today's poem and to Creative Market, @creativemarket, for The Best 404 Pages on the Internet.

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